哺乳家族Here are all the posts from the month of May…Continue reading “A Thousand and One Recaps: May”
I am enjoying Austin Kleon’s obsession with zines and decided to make one for myself.
I chose to summarise Donoghue v Stevenson  UKHL 100, a landmark case in the development of the tort of negligence, and also for manufacturers liability for defective products. Continue reading “I Made a Zine to Summarise Donoghue v Stevenson, a Landmark Case in the Tort of Negligence”
I’m incredibly busy with a couple of major things at the moment made more difficult by the lockdown.
(No, not A Thousand And One Recaps — that’s ticking along just fine).
As a result of my distractions, have not had time to post about the appalling UK coronavirus death rate, the preposterous lockdown sabotage by Dominic Cummings, the horrific murder of George Floyd in Minneapolis, or the atrocious glorification of violence by Donald Trump that has finally caused Twitter to place warnings next to his Tweets.
My silence on all these issues is not to be taken as due to a lack of opinion, or sufficient emotion about each of them. I just don’t have time.Continue reading “Journalists Under Attack”
It is often said that constraints can fuel creativity. Well, the COVID-19 lockdown is a pretty big constraint.
Amid the sadness and death, it has been interesting to see the new art and culture that is already emerging. Creativity working up against the boundaries we have set for ourselves. Artists looking afresh at the technology we are using to communicate, and wondering what new modes of design and storytelling they might enable.
The most obvious example of this is video conferencing software. The grids of images that apps like Zoom use to display the other people in the chat have become part of our visual culture. I really enjoyed the Maltesers ‘Isolation Life’ series of adverts, and I love the video for ‘Phenom’ by Thao & The Get Down Stay Down (intriguing song, too). Continue reading “ZOOMSHIFT”
In 2004, the writer Orhan Pamuk gave the inaugural Arthur Miller Freedom to Write lecture, at the Prague Writer’s Festival. Among his remarks, he said this:
I have personally known writers who have chosen to raise forbidden topics purely because they were forbidden. I think I am no different. Because 哺乳家族This, indeed, is the spirit that informs the solidarity felt by PEN, by writers all over the world.Orhan Pamuk
I would often use the highlighted bit of that quote in English PEN’s marketing communications. I thought it would appeal to the worldliness of other writers, their solidarity and empathy with fellow wordsmiths.
But occasionally I would worry that the proper meaning of that quote was properly understood. Because taken literally, it’s obviously untrue. The fact that Ahmet Altan (to pick another Turkish novelist) is currently in prison and censored does not stop me writing my derivative science fiction or my bad poetry. Continue reading “COVID19, Free Speech and the Right to Receive Information”
I have not posted much here this month, because I’ve been posting a lot over at A Thousand And One Recaps, my close reading of The Arabian Nights.
Here are links to the recaps posted so far.Continue reading “A Thousand and One Recaps: April”
Lavie Tidhar is a World Fantasy Award winning author. In the beforetimes, I was due to interview him at English PEN’s Literary Salon at the London Book Fair… but the event was cancelled because of the coronavirus. Instead, we conducted the interview online, and its just been published on PEN Transmissions.
Here are two similar projects that turn on the art of collaging and remixing.
First, Austin Kelon’s flock of zines.
Continue reading “The Zines of Austin Kleon and the Collages of Yasmine Seale”
A zine (/zi?n/ZEEN; short for magazine or fanzine) is most commonly a small-circulation self-published work of original or appropriated texts and images, usually reproduced via photocopier. Usually zines are the product of a person, or of a very small group.
So long as you are prepared to admit it, ignorance is an opportunity rather than a weakness.
— Ann Morgan, 31 December 2019
Why do any of us read anything? I have been meaning to read the Arabian Nights, or The Thousand and One Nights, for many years. Whenever I tell anyone that I have an interest in non-linear fiction, they usually mention the nested, story-within-a-story structure for which the tales are famous. In response, I have always said that I would get around to reading the collection “at some point.” Continue reading “My Introduction to ‘A Thousand and One Recaps’”
During the COVID-19 lockdown, I’ve finally got around to a project I have mean meaning to do for a while, which I hope will prove an ongoing diversion while normal social life is on pause.
It’s called A Thousand And One Recaps.
The idea is very simple: I’m reading The Arabian Nights, or The Thousand and One Nights, the famously rich collection of stories that originate in Asia and the Middle East. Continue reading “A Thousand and One Recaps”